Skip to main content

Gaetano Donizetti: ANNA BOLENA

Conductor: Riccardo Frizza

Enrico VIII: Alexandros Stavrakakis
Anna Bolena: Marigona Qerkezi
Giovanna Seymour: Aigul Akhmetshina
Lord Rochefort: Pawel Horodyski
Lord Riccardo Percy: Jack Swanson
Smeton: Teresa Iervolino
Hervey: Sun Tianxuefei

Orchestra and Chorus of the Tiroler Festspiele Erl

Anna Bolena tells the tragic story of Anne Boleyn, the second wife of Henry VIII, whose rise and fall is one of the most impressive female fates in opera literature. Gaetano Donizetti achieved his international breakthrough with this work at the Teatro alla Scala in Milan in 1830. The opera is considered a highlight of bel canto and was impressively rediscovered in the 20th century by Maria Callas. Since then, the world's most important sopranos have competed in the demanding title role. The work can be heard in concert in Erl. With Marigona Qerkezi, the Tyrolean Festival presents one of the most exciting young voices on the bel canto scene. Aigul Akhmetshina makes her debut alongside her as Jane Seymour. The successful bel canto cycle thus continues after I puritani and La sonnambula continued.

Team

Riccardo Frizza Conductor
Alexandros Stavrakakis Enrico VIII
Marigona Qerkezi Anna Bolena
Aigul Akhmetshina Giovanna Seymour

Aigul Akhmetshina studierte am Konservatorium in Ufa (Baschkortostan/Russland) sowie in Meisterklassen bei Ildar Abdrazakov, Barbara Frittoli und Delfo Menicucci. Im Alter von 21 Jahren sorgte sie als Carmen am Royal Opera House Covent Garden in London für Furore. Seither verkörperte sie Bizets Titelfigur auch u. a. an der Metropolitan Opera in New York, in der Arena di Verona, am Teatro di San Carlo in Neapel und an der Bayerischen Staatsoper in München. Sie trat an zahlreichen weiteren renommierten Opernhäusern auf, darunter die Wiener Staatsoper, die Deutsche Oper Berlin, die Staatsoper Hamburg, das Opernhaus Zürich, das Teatro Real in Madrid, die San Francisco Opera und die Opéra national de Paris. Bei den Salzburger Festspielen gab sie 2023 ihr Debüt in I Capuleti e I Montecchi. Ihr Repertoire umfasst u. a. Partien wie Rosina (Il barbiere di Siviglia), die Titelpartie in La Cenerentola, Maddalena (Rigoletto), Fenena (Nabucco) und Olga (Eugen Onegin).

Pawel Horodyski Lord Rochefort

Paweł Horodyski stammt aus Polen und absolvierte seine Gesangsausbildung an der Karol-Lipinski-Musikakademie in Breslau. 2019 trat er in die Akademie des Teatr Wielki in Warschau ein, und 2021 wurde er in die Junge Oper der Oper Breslau aufgenommen. 2022 debütierte der Bass an der Polnischen Nationaloper in Warschau als Zbigniew in Stanisław Moniuszkos Gespensterschloss. Seit der Spielzeit 2023/24 ist er Mitglied im Opernstudio der Bayerischen Staatsoper, wo er seither u.a. als Yakusidé („Madama Butterfly“) und Hirt („Pelléas et Mélisande“) auf der Bühne stand. Seine Rollen in der aktuellen Saison umfassen Partien wie Gefängniswärter („Tosca“), Erscheinung („Macbeth“), Sergente („Manon Lescaut“) und Mönch (Toshio Hosokawas „Matsukaze“). 2023 war Pawel Horodyski Teilnehmer des Young Singers Project der Salzburger Festspiele, wo er in Ravels „Das Kind und die Zauberdinge“ sowie in einem Konzert mit dem Mozarteumorchester Salzburg mitwirkte.

Auf der Konzertbühne war der Bass u.a. mit Bachs h-Moll-Messe mit dem Bayerischen Staatsorchester unter der Leitung von Vladimir Jurowski im Münchner Dom zu hören sowie in Breslau mit Mozarts Requiem, Bachs Weihnachtsoratorium, Bachs Johannespassion und Bachs Lutherischen Messen.

Jack Swanson Lord Riccardo Percy
Teresa Iervolino Smeton
Sun Tianxuefei Hervey
Orchestra and Chorus of the Tiroler Festspiele Erl

Tiroler Festspiele Erl Orchestra

The music springs from the enthusiasm of a motivated and exceptionally well-prepared ensemble that has grown together over the years. The Tyrolean Festival Erl Orchestra was first formed in the summer of 1999—and today, musicians from 20 nations play together. Already in its first year, the ensemble achieved unprecedented success, which would go on to bring international recognition to the Tyrolean Festival Erl. Top young talents, musicians from major international orchestras, chamber music specialists, and lecturers come together annually in summer and winter—and since 2017, also in fall and spring—as part of the Tyrolean Festival Erl. Under the direction of festival founder Gustav Kuhn, the orchestra garnered rave reviews from international critics and cemented its reputation as one of the world’s finest Wagner orchestras. With the start of Jonas Kaufmann’s tenure as artistic director in September 2024, Asher Fisch—a conductor in high demand internationally in both opera and concert settings—has taken over the helm of the orchestra.

In addition to Richard Wagner’s ten major music dramas and operas by Strauss, Mozart, Beethoven, Verdi, and Rossini, the orchestra’s repertoire includes Beethoven’s symphonies and many other key works from the concert repertoire spanning the Baroque and Romantic periods, as well as contemporary works and world premieres.

Tiroler Festspiele Erl Choir

Founded in 2007, the choir serves as an equal musical partner to the festival orchestra. The focus is on meticulous attention to individual parts. As part of the festival, the singers work on a wide range of projects, from a cappella programs to concert and opera productions. Since the opening of the Festspielhaus Erl in 2012, the repertoire has placed additional emphasis on bel canto works and Verdi’s operas.

The development of a Baroque choral sound in the works of Bach and his contemporaries is also a key focus of the ensemble’s work; since 2009, it has maintained close ties with Capella Minsk, the State Academic Choir of the Republic of Belarus. Founded in 1940, this choral ensemble has made it its mission to preserve Belarusian folk music and to premiere works by modern and contemporary composers.

The choir is distinguished by its precise intonation, harmony, versatility, and dynamic sound—qualities that have formed the basis for numerous tours throughout Europe in recent years. Its repertoire includes requiems, masses, cantatas, and sacred works, as well as operas. After Lyudmila Yefimova spent many years developing and shaping the choir’s quality, Olga Yanum took over as the ensemble’s director following her death in 2018.